Nestled in the heart of the South Taranaki region, and barely 5 minutes drive from Hawera is one man’s uniquely created heritage project that has won several accolades, including Tripadvisor’s Travellers’ Choice Award for three years in a row.
Spread over five-and-a-half thousand square metres of what was at one time theTawhiti Cheese Factory, the award winning Tawhiti Museum is considered a “testament to creativity and realism” that brings Taranaki’s history to life.
It is widely regarded as one of the ‘most innovative’ private museums in New Zealand and has accumulated several tourism awards over the years for handcrafted, stunning visual displays.
NewsViews recently travelled to Hawera to catch up with Nigel Ogle – the former art teacher and the man who has put this small town on tourism map through his single-handed creative efforts.
Nigel Ogle (R) – the man who created Tawhiti Museum from a scratch (Photo/NewsViews)
What started as a personal passion and hobby – collection of ‘bits and pieces’, Nigel’s project eventually grew into a comprehensive heritage showcase where visitors connect with the region’s past through artful storytelling.
From Nigel’s perspective, nothing concrete was planned until early 1970s, when the local 70-year-old Tāwhiti Cheese Factory came up for sale. Considering the possibilities, Nigel took the plunge and bought the old building and adjoining land in 1975.
Recounting how it all started, Nigel says “There was no big plan really. It all became possible when the cheese and dairy factory building became available – and that too, at an unbelievable price tag of mere $5,000. I started with just collecting some bits and pieces and then got into modelling and sculpting the figures that’s always been a focus of what we’ve done over the years. It just quietly snowballed.”
His collection of ‘bits and pieces’ eventually ended up creating a museum that blended art and history through his own handcrafted displays.
“For me the motivation for a project such as this is really quite complex – a love of old things, a love of social history and community, a love of art and the creative process – it’s all these things and more.”
History comes alive through life-size figures (Photo/NewsViews)
Nigel Ogle was born and grew up in the area and memories of his rural upbringing have translated into some of his creations at the museum.
In April 1884, Nigel’s great grandparents – George Ogle, his wife Mary Ann, and their four children, left Wheatley, Nottinghamshire (in North England) for New Zealand for a new life. George’s brother William was also with them. They set sail on the SS Doric and arrived in Auckland two months later. In 1987, they moved to South Taranaki and over a period of time, the family had 12 more children.
For the next two generations, the Ogle family were farming near Ararata and Nigel – the great grandchild of George Ogle was raised on a local dairy farm.
Youngest of five children, Nigel would often accompany his father (also named George) to deliver milk to the Tawhiti Dairy Factory, but he could never have imagined one day he would end up buying this.
Nigel Ogle creating scale models at his ‘Body Shop’ (photo courtesy/TawhitiMuseum)
“I guess much of what I do at the museum is influenced by my upbringing…Summer haymaking, daily milking the cows, silage making…chooks, pigs and family picnics at the farm – the memories remain and are reflected, I suppose, in many of the displays I’ve build for the museum.”
After finishing school, in 1971 he enrolled in the arts course at Palmerston North Teachers College with the hope of making a living from his developing artistic interests.
Nigel married Teresa while at college and both later taught art at Hawera High School. They had their first child Jeremy in 1977, followed by Jenni in 1980 and Paula in 1982.
“By then we had purchased the old factory and had knocked the house into some semblance of order, so the children were brought up from day one living in this ever-changing museum environment.”
One of the several dioramas created by Nigel at their own workshop (photo/NewsViews)
In 1988 Nigel left teaching to work full time on his museum projects. The museum-now housed in the updated cheese factory, opened for four days a week. Other days he was making and maintaining displays.
From a small set of displays in 1980, Tahiti Museum now features thousands of meticulously crafted life-size and scale models, artifacts, dioramas that capture the early New Zealand life and represent moments in history.
Exhibits depict colonial life offering insights into early European settlement, highlight cultural heritage of Taranaki’s indigenous people, Māori traditions, maritime history, etc.Read More...
The most impressive and notable display in the museum is perhaps the 12 meters long diorama of the 1830s inter-tribal musket wars. The 800 individual incredibly realistic figures and the landscape took 18 months to create, and no two figures are the same.
Models and exhibits also trace the evolution of farming practices, featuring machinery and settings from 1930s onwards.
All the displays – fromthe life size figures to tiny scale models used in dioramas, are created from moulds cast from people from the region. These are designed and built in the ‘Body Shop’ and accompanying studios on the museum premises.
Nigel Ogle with Editor, NewsViews(photo/NewsViews)
One feature that sets this museum apart from other museums is the people’s factor. For Nigel, it is the story of people that is paramount, therefore, his exhibits have people in forefront.
“So many museums tend to display the artifacts and think that people will understand what they are about, but they don’t….Artifacts need a story woven around. Life- size figures and the dioramas are a great way to tell history stories. So I started doing small figures and then got into doing the life size figures, and it’s just gone on. It’s still a passion, it’s still what I love doing in most evenings…
“I’m particularly aware of drawing children into our exhibits – they mustn’t feel museums are old buildings, full of old dusty junk. Historical display should be exciting and relevant – I’m always looking for more creative ways of making it just that.”
The museum has constantly evolved with new projects taking place to sustain interest. After an overseas trip in late 1980’s, Nigel felt a need to create a ‘hands on, ride on’ type attraction. He mooted the idea to his friends, and ‘friends of the bush railway’ fund was initiated. Community’s whole-hearted support helped paved the way for the narrow (2’6”) gauge Tawhiti Bush Railway in 1990 and offers unforgettable experience.
In subsequent years, Nigel added another major dream project in which period artefacts and scale models reached a new level of his creativity. The interactive attraction, ‘Traders and Whalers’ created in conjunction with Weta Workshop, was inaugurated by the then PM, Sir John Key. Here, visitors can take a theme park-style ride underground in a small boat for an “immersive, surreal historical experience” of the Taranaki coast in the 1820-1840 period.
All displays are created from moulds cast from real people from the region (photo/NewsViews)
“Traders and Whalers was four years in the making and it was always in the back of my mind, I guess, for 20 odd years,” says Nigel.
This project had the backing of the South Taranaki District Council through their Public/Private Partnerships scheme.
His museum does not deviate from his local focus. “There is no need for museums to look alike – they all have stories to tell that are unique to their area and it’s these stories and the way you tell them that determines the style, the character of a museum.”
There is a unique coherency to this museum and Nigel has gone to great lengths to ensure his envisaged project has consistency and style be it the layout, use of materials or even construction of buildings.
The distinctive trademark style of Mr Badger’s Café – run by his wife, Teresa also matches the museum’s construction.
When asked if the daily intake of ticket money was enough to sustain as museum was located in a small provisional town, Nigel shrugged his shoulders.
“That was a big question. It is certainly not easy, being privately owned it does not qualify for lottery grants or any form of public funding. So what we take at the counter – apart from some sponsorship, is what the museum must survive on. If $50 comes in or $1000 comes, that’s what we’ve got to spend. Yeah, that’s the tricky one as there’s no set income.”
Community backing and some regional council support, however, have fuelled continuous expansion over the years. He acknowledged the enormous support of the local Mayor and was hoping their patronage would continue in future also.
Nigel’s special affection for this South Taraniki’s ‘cherished gem’ project is clear in his continued enthusiasm and desire to improve.
Whatever drives his creativity, Nigel Ogle is still humble. “You have got to have faith in your own judgments, while accepting that you are not infallible – there will be mistakes, but accept those, correct them where possible and move on.”